What the Breaking Leaves Behind

Deogratius Wilfred Kadete
0
A ragged rock


What the Breaking Leaves Behind

The rock keeps a face the weather has carved,

patient under rain that falls with no order, no mercy,

each drop a small fist against skin too old to flinch.

Its surface is ragged, stone-rough, deaf to softness—

no wool has ever touched it and lived.


But water is patient too. It works in secret,

seeping past armor built over centuries,

until somewhere beneath the hard, weathered face

a warmth gathers that the grieving air above

will never feel, never hold, never keep.

There, in that hidden warmth, roots take their first grip—

quiet, stubborn, anchoring into what the world calls lifeless.


The rock has no wings to lift it from the ground,

no ears to catch the wind's long complaint.

It hears nothing. It goes nowhere. It simply stays.

It has no arms to reach, no legs to wander—

so ants and birds become its borrowed body,

moving for it, breathing for it, in the cool and the warm,

vanishing like held breath when the storm arrives,

leaving the rock alone again with itself.


The rock has no voice, and so it never cries out—

but when the air pulls tight and cold,

something deep inside it gives, and cracks.

Its old skin shreds and falls away in pieces,

and in every wound the roots find welcome,

feeding in the dark, growing in the broken places,

turning what looks like ruin

into the slow architecture of being held.

           Copyright ©️ D.W.KADETE 


About the Poem

This poem reflects on endurance, vulnerability, and transformation. On the surface, it describes a rock exposed to rain, roots, insects, birds, and cold. However, this rock symbolizes something alive—likely a person, but it could also represent a culture, a community, a belief system, or even consciousness. The rock-Self has been shaped over time through suffering, grief, disappointments, and pressures, represented by "rain that falls with no order, no mercy."


Hardened to stay intact, "Its surface is ragged, stone-rough, deaf to softness." The rock is isolated and seemingly immoveable, unable to accept tenderness.


Then water—love, wisdom, time, or sorrow—begins its work "seeping past armor built over centuries."


Miraculously, hidden roots—symbolizing the promise of life or spiritual growth—"take their first grip, quiet, stubborn, anchoring into what the world calls lifeless." Ants and birds become its "borrowed body," hinting at its interdependence. In the climax, something deep within the rock "gives, and cracks." A crack may signal the ego's impending demise, but the poem challenges our expectations about what damage looks like: it becomes an opening, a point of entry—"in every wound the roots find welcome."


The wounds allow even deeper life to enter. The last line completely reframes the poem's central action: the rock does not find power in surviving as an unbroken whole, but rather in its ability to be sustained and supported by others, “turning what looks like ruin into the slow architecture of being held.”

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